News

The first CS1 inventory in the United States — delivered in March under the L-Acoustics pilot program, two months before the cabinet was announced, and first deployed on the Ultra Music Festival main stage.

The Kimpton EPIC Hotel rooftop pool deck was turned into a full spatial-audio experience for Winter Music Conference / Miami Music Week, 25–27 March 2026 — L-Acoustics DJ driving A15 mains, KS28 subs and Syva surrounds through an L-ISA Processor II, deployed by the Unreal-Systems and L-Acoustics crews with Luca Sabatini and Lyly Loor Villanueva.

Unreal-Systems deployed L-Acoustics DJ on the S3QUENC3 stage — eight hangs of L2D in an 8.1 configuration — plus more than 350 L-Acoustics loudspeakers across the festival site, including K1, K2 and K3 at the Mind Melt main stage. Unreal-Systems has handled sound design and deployment at III Points since the festival’s first edition.

Miami’s Unreal-Systems supplied the K Series system carrying Rüfüs Du Sol’s global Inhale/Exhale tour — scaled from sheds to stadiums including the Rose Bowl, Red Bull Arena, Q2 Stadium and Estadio Tres de Marzo. Systems engineer Johnny Keirle: “The biggest challenge is delivering the low-frequency impact and coverage required for live EDM.”

The Italian trade magazine visits the Miami headquarters of AgorÀ USA for a long-form interview on how Unreal-Systems grew from Italy to Florida, and became an exclusive supplier to Miami’s biggest festivals, from Ultra to Rolling Loud.

Unreal-Systems / AgorÀ USA deployed 28 L2 and 6 L2D elements at the 17,500-capacity Kia Forum for three sold-out nights of John Summit’s Comfort In Chaos tour. Summit: “I don’t need production, visuals, and lighting if the sound is good.”

Unreal-Systems installed and commissioned the L Series system at the 1,000-capacity LIV — the first nightclub in the world to deploy it — with L2D arrays, KS28 and KS21 subs, X8, X12 and A15 Wide, on LA-series amplified controllers.

Unreal-Systems designed and installed a residential L-Acoustics system — a pair of Syva with matching Syva Low subs on an LA4X — in the northern-Ibiza villa of County of Milan founder, DJ and designer Marcelo Burlon. Burlon: “The music always sounds spectacular; I’m thrilled with it. I’ve referred three guests to Unreal Systems who have all said they want an L-Acoustics system too!”

Unreal-Systems / AgorÀ USA deployed a large-scale K1 rig on the Ultra main stage, covering nightly crowds of 55,000 as the festival returned to Bayfront Park.

FOH profiles the audio behind Genesis’ farewell tour, with Unreal-Systems as the sound supplier for the 21-date North American leg. A distributed L-Acoustics arena design built for even coverage rather than volume: 12 K1 per side, 18 Kara in the 270° rear arrays, a nine-box flown KS28 centre cluster, 24 ground subs in a cardioid arc and four delay hangs. FOH engineer Michel Colin, systems engineer Ben Phillips, monitors by Alain Schneebeli.

Unreal-Systems designed and installed the A10 system in the Victor E. Clarke Recital Hall. Project manager and lead systems engineer Ross LaBrie: “They required a fairly robust PA option, but also requested that we not have any subs on the ground level.”

Unreal-Systems designed and installed a new L-Acoustics system in the Knight Concert Hall at Miami’s Adrienne Arsht Center for the Performing Arts, with support from the L-Acoustics applications team. Modelled in Soundvision and driven over an AVB network: 14 Kara per side L/R, 10 Kiva II flown in front of three SB15 in cardioid for the centre, X12 and X8 balcony fills on each tier, ten 5XT front-fills, LA4X and LA12X amplification, and Luminex GigaCore switching with P1 control.