FOH profiles the audio behind Genesis’ farewell tour, with Unreal-Systems as the sound supplier for the 21-date North American leg. A distributed L-Acoustics arena design built for even coverage rather than volume: 12 K1 per side, 18 Kara in the 270° rear arrays, a nine-box flown KS28 centre cluster, 24 ground subs in a cardioid arc and four delay hangs. FOH engineer Michel Colin, systems engineer Ben Phillips, monitors by Alain Schneebeli.